فصلنامه زیبایی شناسی ادبی
سال یازدهم شماره 45 (پاییز 1399)

Poetry seeks to achieve the most beautiful kind of speech and poet uses all his linguistic, musical, and eloquent abilities to elevate his speech from the aesthetics point of view. The aesthetics of poetry is examined in two aspects. External aspect including language, music, imagination, and internal aspect including content, emotion, and thought. In the Meanwhile, the role of each text''s element in the aesthetics of the work can be noticed because in one text all its components and different elements have a role in the creation of work''s beauty. Adjectives in poetry, in addition to their grammatical and syntactic roles, also have emotional, discursive, and eloquent meaning in direction of work''s beauty. Therefore, adjectives in literary piece or poetry, according to the role they have, can be named as device which applies to all the elements of poetry that are effective in the aesthetics of the text. The results of this study show that the poet''s creativity in using adjective, in addition to creating spiritual music in the modern poetry, can have a great effect on the creation of emotional atmosphere of modern poetry., due to the high frequency of poets'' use of adjectives in new poetry to strengthen internal and spiritual music, in addition to their use of the technique of creating compound adjectives; on the freshness and dynamism of their poetic language in comparison with poetry Traditional has been added. Adjectives play an important role in the field of imagination

Some literary texts are formed in relation to other texts, and in this sense, texts in their world have various intra-textual and intertextual relations. In the meantime, usually one of the texts is ahead of the others in terms of time. After Saadi, Golestan and his style of expression, themes, compositions and images were given general and special attention, and his simplicity, clarity of expression and kindness of speech caused him to become a role model among writers and various works based on It is created as Baharestan Jami in the ninth century, Parishan Qaani in the twelfth century and the poor ruins of Shirazi in the thirteenth century are examples of such examples. The present study, in a descriptive-analytical and statistical manner and based on library studies, seeks to study Golestan, Baharestan, Parishan and Kharabat from the rhetorical point of view and from the perspective of spiritual industries (simile, metaphor, metaphor and irony) and show that What is the basis of Golestan in terms of judging the use of the spiritual industries of the other three? Findings show that some features were applicable in all four works, including the predominance of sensory similes compared to the rational and less permissible existence, but some features are considered a special feature between Golestan and others, such as Baharestan in balanced image resolution and volume And disturbances in shared images.

Abstract Combined artefacts that are exposed to individual industries were discovered and introduced very late in recent rhetorical studies; therefore, more comprehensive and accurate knowledge of these new techniques still requires more time and research. has it. One of the types of composite arts is the "metaphorical-ambiguous irony" industry, which has been the subject of several studies on this mixed-use technique and its types. This descriptive-analytical study, using written library tools, reviewed the letters of the composite artifacts and modified and modified them to examine one of the artefacts. It deals with a "metaphorical-ambiguous irony" that has not yet been addressed theoretically and independently. The paper also seeks to distinguish between the two types of mathematics by modeling the appearance of the "power" of mathematical knowledge, without altering the original name of the new art and adding another craft to it. The paper also seeks to distinguish between the two types of mathematics by modeling the appearance of the "power" of mathematical knowledge, without altering the original name of the new art and adding another craft to it.

The discovery of aesthetic methods in the poetry of contemporary poets is possible with various methods, one of which is to recognize the techniques of de-familiarization in form and structure. Ahmad Boroujerdi is one of the poets who, as much as his poetry is content, prismatic and multi-layered; He has also tried to highlight the form and structure of language. De-familiarization has been used in several ways in his poems, including: De-familiarization in naming new objects, phenomena and concepts around him; In the coherence and movement of the circle of poetry; In continuous markings using contradictions and contrasts; In written form; In creating nested images; In repeating letters in order to induce various concepts; In creating nested images with a cohesive and organic connection, pictures full of pictures; In the choice of words and their new combination with each other, repetition of sounds and words, ambiguity, discernment, irony. This study examines the unfamiliarity in the poems: (Plan 5, Oriental, Who, Four Chapters, Nostalgia, Scarecrow, Ant, Plan 8) from the perspective of form and structure in the book "Somewhere Not Far" to the poet's success in blank verse And find unfamiliarity in this form.

In the present study, with the aim of identifying and introducing the pyr-v -jvan , Mirza Nasir Isfahani, the linguistic and rhetorical features of this work have been analyzed based on Jacobson''s linguistic theory. Jakobson has used six aspects of communication theory in literature: 1. message (literary role) 2. Message sender (writer or poet) 3. recipients (contacts) 4. codes (rules and norms of language) 5. contact fields (social and cultural status) 6. contact ducts (words or sounds). pyr-v -jvan poetry was written in the 12th century AH in the Zandieh era, and the subject of this conversation is old and young in the subject of sadness and love. A review of this work is illustrated by the Jakobson theory, The result shows: At the heart of the process of communication among the six roles is the literary role of language because of the variety of texts, especially in the first part of the poem. t has influenced other linguistic roles and has led to aesthetics

The purpose of this study is to introduce Darabnameh and examine its status among prose epics. This research is noteworthy because while introducing the values ​​of epic style, it studies and analyzes the teachings and cultural traditions of the work. And it describes some of the mythical themes and beliefs of the Iranian people that are reflected in this work. In general, this article discusses issues such as the characteristics of heroes, war tools, valuables, battle, elements of nature, and stylistic characteristics of the work. Darabnameh, like other epic works, is a description of the bravery and heroism of national and popular heroes. With the difference that the degree of nationality and popularity of the heroes of Darabnameh is less than Shahnameh. Darabnameh Tarsusi has been influenced by Shahnameh in terms of the characteristics of epic style and even in terms of describing the elements of nature, especially the description of sunrise and sunset.